The International Computer Music Conference (ICMC) is the largest, most established international conference for music practitioners working with digital technologies. It is a travelling annual conference, currently in its 42nd edition, which gathers leading researchers, practitioners and artists from around the world working in the academia, industry, or independently in a variety of fields – a.o. music and sound art, interactive art, performance, musicology, human-computer interaction, computer science and engineering. This year back in the Netherlands (after 30 years), it is organised by Gaudeamus Muziekweek and HKU University of Arts, Utrecht.
With the prospect of beginning programming work on the listening software for the Loop-Copy-Mutate project in August 2016, we intend to hold a hands-one workshop on ICMC2016 for SuperCollider programmers and other interested people, featuring Genetic Choir singers and our own programming team.
We will update you closer to the time with more detailed information.
Tickets for the conference can be bought here.
We sent our new CD out prior to its upcoming release (see the 4 december concert), and the first reviews are coming in from colleagues around the globe. This one is from New Zealand born composer Alison Isadora who listened and wrote the following – below some excerpts, the full review can be found here.
“The CD starts with whispering before settling into more melodic phrases with a rhythmic accompaniment. Although we can hear that the choir is singing in a church, the voices are always close to us. There is an immediacy to the voices. As with many of the pieces on this CD, the use of a sense of a constant tonality and the presence of ostinato figures offers support for those listeners who may find the vocal adventures challenging.
In other tracks dense textures break open into jungle-like screams, croaks and gasps. A drone may give continuity within these rich and varied sonic landscapes. Silence may also act as a musical parameter.
In Track 3 I asked myself whether I was listening to an African language or an imagined one. The Genetic choir have developed their own vocabulary – a combination of vowels and consonants which is at once totally believable and yet seductively mysterious. (…)
In other pieces long slow contrapuntal lines coexist with fast ostinato figures. It is fascinating to hear how ideas develop, how melodic lines are shared, inverted and expanded. A melody that starts life as diatonic may move to a microtonal version and back again within the length of a breath.
Throughout the album there is a consistency in melodic material, a predeliction for drones and ostinato figures and a great willingness to explore and accept the richness of sounds a voice can make. We hear how musical ideas are embraced, expanded, developed and varied. This is group improvisation at its best. (…)”
Curious? Come to our magnificent CD release concert in the Obrechtkerk Amsterdam on 4 december –
more info, reserve tickets (and the CD) on this page.
This and next week: The Language Choir
There will be an informal concert for everyone who is interetested in this special Genetic Choir project:
Friday, 10 February 2012 – 18:15 – Place: Studio Wladiwostok, Bogortuin 16, Amsterdam, Java-Eiland. click here for a map to find the studio
Entrance free – warm tea inside 😉
A workshop about sound and silence – working in a group of singers with the complexities of open vowel sounds.
The voice is a subtle organ that is interested in it’s own sound.We usually believe that we control our singing and to a certain degree of course we do. But especially when it comes to sound quality, resonances and ‘finding the place’ in a tapestry of sound-textures, our voice is much more subtle and intelligent than us.
This might sound odd – “the voice knows what to do?” – , but it simply means that in the direct feedback cycle of hearing and producing sound, our voice can much more intricately steer it’s own sound without us intervening. This has amazing implications, for the individual voice as well as for ensemble sound. The bottom line is that sound understands itself better than we do, and in the complexity of resonances, timbre, upper- and undertones that comprise the human voice, our will is ill-equipped and much too slow to steer that process with adequate precision and subtlety.
In this workshop, we will look at the individual and collective process of singing open sounds. We will deal with principles of improvisation and self-organization (structure and freedom – intention, contact and surrender), but in this special case the music we allow will not include melodies, percussive sound-landscapes or rhythms. This limitation to open vowel sounds will open up an endlessly complex space to work in. Your enjoyment of the process of listening will expand, while making the sound more important than yourself in a playful way will allow a more finely tuned awareness to sink into your system.
We will engulf ourselves in sound colour, sound texture, resonance, brilliance of sound, natural vibrato, vowel changes and what all this does to the collective sound composition: The polyphonies and clusterchords that will arise from an ensemble finely tuned into sound work.
No specific singing background is needed to join the workshop. All levels of experience are welcome.
Here is a worskhop completely about words and talking in improvisation!
As our interest is Instant Vocal Composition, we approach language in this workshop from the point of music, notwithstanding the fact that with language recognizable words open a whole new playing field: the field of meaning. There is no way in which your mind can not create an image in your head when you hear ‘toothbrush’. The speed with which we create meaning from recognizable words is amazing, and you can have a lot of fun staying on the border between sound (playing with vowels, consonants, syllables that don’t mean anyting) and words (when the mind ‘hooks’ on to a possible meaning/image). But this is just the beginning…
Once words are recognizable, and we enter into strings of words, sentences, poems, dialogues or monologues, it is crucial that as improvisers we are fit for the game. What choices can you make, how do you define your playing field? How do keep focus in what you are doing with all the freedom and possible layers of meaning you end up with? How do you prevent the moment where you (and your audience) is totally lost in the soup of words and sentences? Once we play the game of ‘meaning’ (of concrete verbally uttered images) we have the responsibility to bring it to a meaningful end. (whether that ending makes ‘sense’ in a literal, a poetic or musical way).
We will work solo, in small groups and in big ensemble producing pieces of stories, poetic dialogues, language sculptures and wise words.
The workshop will be held in Dutch and/or English, depending on the wishes of the participants. For your individual work during the workshop any language is welcome (French, German, Spanish, Japanese…)
Saturday 04-02-2012 12:00-18:00
Sunday 05-02-2012 10:30-12:30 + Genetic Choir session 13:30-17:30
Thursday 09-02-2012 18:00-22:00
Friday 10-02-2012 12:30-18:15 + concert (until +/- 19:00)
Workshop fee for the four days is: 165 Euro excl. BTW
You can give yourself up for the workshop or ask for more information by sending a message through this website (see Contact in the menu above)
we are planning at the moment two workshops on two specific subjects inside Instant Vocal Composition:
— a workshop just on the subtleties of sound and silence and playing in a group of singers with harmonics and disharmonics. We will focus mainly on multi-tone long sounds, becoming proficient in sound character (vowels/vibrato/brilliance) and aligning resonances with each other and the acoustic spaces we are in. Playfulness and delicacy on the most powerful level of singing, where sound and resonance takes over all your senses. (more info, click here)
— a workshop where we focus totally on the poetics of words, improvising with language, human sounds and story. We will train the craft of inventing text in the moment and becoming sensitive to the musicality of verse/text/invented poetry inside Instant Vocal Composition. Looking at the complex, rough edges in improvisation where music becomes words and words become music. (more info, click here)
Both workshops are in planning state with the pioneers at the moment. We are looking at dates in the period February-May 2012. If you’d like to be involved as a pioneer – there are just a few pioneer places left, so let us know quickly through the form below, stating the workshop that you would like to be involved in.
Once the dates are fixed, you will also be able to inscribe as a normal participant, if there is still room in the workshop group. So you can also let us know already if you’d like to be considered as a normal participant for one of these workshops 😉 We’ll be in touch with you, then!
More info on workshops? Click here.