The Genetic Choir teams up again with the writer’s collective De Vorlesebühne to present an evening of prose and music at Molen De Ster in Utrecht on Saturday 17 March. An evening of vocal absurdity not to be missed!
You can dine together with the performers from 18:15 inside a historic windmill. Jolanda’s Kitchen prepares a delicious and nutritious three-course menu. Reservation via email@example.com is mandatory, at the latest on Thursday 15th March.
Date: Saturday, 17 March 2018
Time: Dining from 18:15 uur / performance doors open: 19:30, performance begins at 20:00
Place: Molen de Ster, Molenpark 3, Utrecht
Admission: € 12, – (€ 10, – with CJP, U-pass or library card)
Reservations possible via firstname.lastname@example.org
Entrance to the windmill via bridge Floresstraat.
Sunday, 2 July 2017 – 13:00 / 15:00 / 19:00 / 21:00
You can still reserve tickets until 1 hour before each concert via the Bimhuis website.
Very special location (underground), totally new type of Genetic Choir concert. Be there people!
While the Loop-Copy-Mutate project of the Genetic Choir is in further development, Thomas Johannsen has been invited to the International Symposium on the Histories and Practices of Choral Singing after submitting this article that describes the collaboration of the ‘human sampling organism’ of the Genetic Choir with computer music programmers working on computer listening and music creative systems.
The Symposium will happen in Lund, Sweden, from 19-21 October 2016.
Travel funding is still being sought to see if a delegation of the Genetic Choir can attend the conference in person.
Read the article here: https://genetic-choir.org/singing-with-machines/
More info on the symposium: click here
Listen to this collaboration of the Genetic Choir with Bulgarian voices Juliette van Dijk and Marielle de Winter (Pauni Trio), resulting in
Genetic Choir Composition 15120405
– including the Bulgarian christian-orthodox hymn ‘Tebe Poem’ (Dobri Hristov).
Taken from our concert “Church Songs for the 21st Century”, celebrating Genetic Choir’s new CD on 4 December 2015.
Recording credits: Harald Kerres
The Genetic Choir workshop planning until the summer is complete, and workshops are filling up quickly… 🙂
Click below to read about it and if you are interested to join, send us a note via the Contact page.
If we would have called this composition “Holy Night in Bethlehem” and presented it as a Christmas single, it might have made the charts. 🙂 But we didn’t!
Easily the most harmonic and “straight” piece of music the Genetic Choir has composed to date. (but don’t worry we will keep doing the crazy stuff as well 😉 ) Enjoy!
More info, CD and ticket reservations: click here.
We sent our new CD out prior to its upcoming release (see the 4 december concert), and the first reviews are coming in from colleagues around the globe. This one is from New Zealand born composer Alison Isadora who listened and wrote the following – below some excerpts, the full review can be found here.
“The CD starts with whispering before settling into more melodic phrases with a rhythmic accompaniment. Although we can hear that the choir is singing in a church, the voices are always close to us. There is an immediacy to the voices. As with many of the pieces on this CD, the use of a sense of a constant tonality and the presence of ostinato figures offers support for those listeners who may find the vocal adventures challenging.
In other tracks dense textures break open into jungle-like screams, croaks and gasps. A drone may give continuity within these rich and varied sonic landscapes. Silence may also act as a musical parameter.
In Track 3 I asked myself whether I was listening to an African language or an imagined one. The Genetic choir have developed their own vocabulary – a combination of vowels and consonants which is at once totally believable and yet seductively mysterious. (…)
In other pieces long slow contrapuntal lines coexist with fast ostinato figures. It is fascinating to hear how ideas develop, how melodic lines are shared, inverted and expanded. A melody that starts life as diatonic may move to a microtonal version and back again within the length of a breath.
Throughout the album there is a consistency in melodic material, a predeliction for drones and ostinato figures and a great willingness to explore and accept the richness of sounds a voice can make. We hear how musical ideas are embraced, expanded, developed and varied. This is group improvisation at its best. (…)”
Curious? Come to our magnificent CD release concert in the Obrechtkerk Amsterdam on 4 december –
more info, reserve tickets (and the CD) on this page.